
Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ
FOR WHEN I LOOK AT YOU FOR A MOMENT, THEN IT IS NO LONGER POSSIBLE FOR ME TO SPEAK; MY TONGUE HAS SNAPPED, AT ONCE A SUBTLE FIRE HAS STOLEN BENEATH MY FLESH, I SEE NOTHING WITH MY EYES, MY EARS HUM, SWEAT POURS FROM ME, A TREMBLING SEIZES ME ALL OVER, I AM GREENER THAN GRASS, AND IT SEEMS TO ME THAT I AM A LITTLE SHORT OF DYING. (I), 2019
SPRUCE WOOD, POLISHED STEEL, DEFORMED LAB GLASS, 181 X 80 X 30 CM

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Still life of a thistle between carnations and cornflowers on a mossy forest floor, 2021. 3'33" (Video still).

Still life of a thistle between carnations and cornflowers on a mossy forest floor, 2021. 3'33" (Video still).

Still life of a thistle between carnations and cornflowers on a mossy forest floor, 2021. 3'33" (Video still).

Still life of a thistle between carnations and cornflowers on a mossy forest floor, 2021. 3'33" (Video still).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

Cultivation Techniques, duo exhibition by Dorota Gawęda und Eglė Kulbokaitė, Cosima zu Knyphausen, KV Leipzig, Germany (exhibition view).

DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ
FOR WHEN I LOOK AT YOU FOR A MOMENT, THEN IT IS NO LONGER POSSIBLE FOR ME TO SPEAK; MY TONGUE HAS SNAPPED, AT ONCE A SUBTLE FIRE HAS STOLEN BENEATH MY FLESH, I SEE NOTHING WITH MY EYES, MY EARS HUM, SWEAT POURS FROM ME, A TREMBLING SEIZES ME ALL OVER, I AM GREENER THAN GRASS, AND IT SEEMS TO ME THAT I AM A LITTLE SHORT OF DYING. (I), 2019
SPRUCE WOOD, POLISHED STEEL, DEFORMED LAB GLASS, 181 X 80 X 30 CM

DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ
FOR WHEN I LOOK AT YOU FOR A MOMENT, THEN IT IS NO LONGER POSSIBLE FOR ME TO SPEAK; MY TONGUE HAS SNAPPED, AT ONCE A SUBTLE FIRE HAS STOLEN BENEATH MY FLESH, I SEE NOTHING WITH MY EYES, MY EARS HUM, SWEAT POURS FROM ME, A TREMBLING SEIZES ME ALL OVER, I AM GREENER THAN GRASS, AND IT SEEMS TO ME THAT I AM A LITTLE SHORT OF DYING. (I), 2019
SPRUCE WOOD, POLISHED STEEL, DEFORMED LAB GLASS, 181 X 80 X 30 CM

DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ
FOR WHEN I LOOK AT YOU FOR A MOMENT, THEN IT IS NO LONGER POSSIBLE FOR ME TO SPEAK; MY TONGUE HAS SNAPPED, AT ONCE A SUBTLE FIRE HAS STOLEN BENEATH MY FLESH, I SEE NOTHING WITH MY EYES, MY EARS HUM, SWEAT POURS FROM ME, A TREMBLING SEIZES ME ALL OVER, I AM GREENER THAN GRASS, AND IT SEEMS TO ME THAT I AM A LITTLE SHORT OF DYING. (I), 2019
SPRUCE WOOD, POLISHED STEEL, DEFORMED LAB GLASS, 181 X 80 X 30 CM

DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ
FOR WHEN I LOOK AT YOU FOR A MOMENT, THEN IT IS NO LONGER POSSIBLE FOR ME TO SPEAK; MY TONGUE HAS SNAPPED, AT ONCE A SUBTLE FIRE HAS STOLEN BENEATH MY FLESH, I SEE NOTHING WITH MY EYES, MY EARS HUM, SWEAT POURS FROM ME, A TREMBLING SEIZES ME ALL OVER, I AM GREENER THAN GRASS, AND IT SEEMS TO ME THAT I AM A LITTLE SHORT OF DYING. (I), 2019
SPRUCE WOOD, POLISHED STEEL, DEFORMED LAB GLASS, 181 X 80 X 30 CM