MOUTHLESS / DOROTA GAWĘDA AND EGLĖ KULBOKAITĖ

Mouthless (And when the ax came into the forest, the trees said: the handle is one of us.), 2020
Ten-screen (3 Samsung UE40C6000 monitors, 7 LG Display LM230WF3 monitors) looped video installation, live-stream, steel

Death by Landscape (Fribourg), 2020
Digital print on glass, lead (Andreas Vetterli workshop), larch wood frame, 262 x 139 x 4 cm

Techno-monsters, 2020
1970s Soviet foam toys, chain, sound, 35:30, 30 x 30 x 30 cm

Death by Landscape (Fribourg), 2020
Digital print on glass, lead (Andreas Vetterli workshop), larch wood frame, 262 x 139 x 4 cm

MOUTHLESS, Fri Art Kunsthalle [exhibition view]

Techno-monsters, 2020
1970s Soviet foam toys, chain, sound, 35:30, 30 x 30 x 30 cm

Dorota Gawęda and Eglė Kulbokaitė
Techno-monsters, 2020
1970s Soviet foam toys, chain, sound, 35:30, 30 x 30 x 30 cm

MOUTHLESS, Fri Art Kunsthalle [exhibition view]

Mouthless (And when the ax came into the forest, the trees said: the handle is one of us.), 2020
Ten-screen (3 Samsung UE40C6000 monitors, 7 LG Display LM230WF3 monitors) looped video installation, live-stream, steel

MOUTHLESS, Fri Art Kunsthalle [exhibition view]

Spectator (I), 2020
Polished stainless steel, print on leather, 80 x 36 x 12 cm

MOUTHLESS, Fri Art Kunsthalle [exhibition view]

For when I look at you for a moment, then it is no longer possible for me to speak; my tongue has snapped, at once a subtle fire has stolen beneath my flesh, I see nothing with my eyes, my ears hum, sweat pours from me, a trembling seizes me all over, I am greener than grass, and it seems to me that I am a little short of dying. (I), 2019
Spruce wood, polished steel, deformed lab glass, 181 x 80 x 30 cm.

Untitled, 2020

Fragrance produced in collaboration with International Flavors and Fragrances Inc., aluminium container, plastic cap, 35 x 18 x 18 cm.

For when I look at you for a moment, then it is no longer possible for me to speak; my tongue has snapped, at once a subtle fire has stolen beneath my flesh, I see nothing with my eyes, my ears hum, sweat pours from me, a trembling seizes me all over, I am greener than grass, and it seems to me that I am a little short of dying. (I), 2019
Spruce wood, polished steel, deformed lab glass, 181 x 80 x 30 cm.

Gusła (cbe40a4268e04f75) and Gusła (298a79954053cd81), 2020
Looped video on holographic LED fans, 09:10 and 08:26

Still Life, 2020
Fragrance produced in collaboration with International Flavors and Fragrances Inc., industrial aroma diffuser, PVC tube, hole

MOUTHLESS, Wallriss [exhibition view]

Enclosure (III), 2020

Text on LED scroll:

ADONC VENIST A ELLE UNG QUI SE NOMOIT SATHANAZ, QUI LY DESMANDAZ QU’ELLE VOULOIT ET LA CAUSE DE SA TRISTESSE ; AUQUEL ELLE RESPONDIST QU’ELLE ESTOIT TOUTE DESCONFORTEE CAR SON MARI NE LA FAISOIT QUE BATTRE. ADONC LEDIT SATHANAZ LY DIST QUE SE ELLE LE VOULOIT CROYRE ET LE PRENDRE A MAISTRE ET RENYER DIEU, QU’IL LA RECONFORTEROIT ET SON MARI NE LA BATTROIT PLUS.

MOUTHLESS, Wallriss [exhibition view]

An Essay on Abjection, 2019

Two powder-coated steel industrial fans with protective grill; 35 x 35 x 40 cm

MOUTHLESS, Wallriss [exhibition view]